Official Selection

One Night in Kathmandu (Mahanagar)

1 hr 10 min |Nepal

Director:

Mohan Rai

Country:

Nepal

Year:

2019

Film Duration:

1 hr 10 min

Language:

Nepali, English

Producer:

Govinda Parajuli, Nawa Nidhi Dahal

Screenwriter:

Mohan Rai

DoP:

Mohan Rai

Cast:

  • Karma
    Key Cast
    "Aashish"
  • Menuka Pradhan
    Key Cast
    "Khushi"

Synopsis

A GIRL, 26—together with a BOY, 33, who is a stranger to her-- take an injured man to a hospital when an accident take places near them one evening in Kathmandu. The girl, a failed poet, is lost and depressed. She doesn't respond to the boy's friendly gestures. She is returning to her village in the morning after years of struggle in the city. The boy, a tour guide from India, is on a trip to Kathmandu, and is also returning in the morning. They leave the hospital after the injured man's relatives arrive, and part. But they meet again unexpectedly when the girl has to leave her friend's place where she went to stay. With no place to stay, and only some hours left, they begin to wander around. And as they roam around the streets and alleys of the city, by the time morning comes, the girl realizes that she had become a different person.

Director's Statement

I come from a small village in the eastern most part of Nepal. I came to Kathmandu, the capital city of my country, eighteen years back, I came with a dream. Young, energetic and optimistic that I was, I thought I would just make it. Little did I know of the hardship and struggle that I would have to face. And after 18 years, I continue to struggle. The light and glitter that is so often associated with the city, has little meaning for me. I feel I am an outsider and perhaps will always feel so. But to continue to live here—I will and I have to. And so I continue to struggle, I continue to hope. In many ways, I want to tell my own story through this film, a story of being and living in a city as an outsider. It is a story of someone who hasn't made it and who has no place in the society he lives. But, as with my own story, it is also a story of hope, of not giving up. Of what can be possible. The two principal characters, in many ways, embody two sides of myself. The GIRL carries the softer, the idealistic, side in me, and of course, my struggle in Kathmandu. The BOY embodies the free and rebellious spirit, the practical, side within me. Later in the story, they unite to form a complete soul, a complete me, if I may say so. ONE NIGHT IN KATHMANDU is a personal film, about something that is deeply felt, and experienced. But on another level, it is also a story about possibility of human communication, of how human being, even if for a brief moment, are capable of empathizing, understanding feelings of another human being, and loving each other--and most importantly inspiring and touching lives of one another, even if for a brief moment. Perhaps it is moments like these that keep human beings alive.

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